Manley ELOP+ Vacuum Tube Limiter/Compressor, Auray ERS-12U Rack, (2) ErnieBall 1/4 Bundle

With iron-balanced, transformer-coupled inputs, an all-tube audio path, and an electro-optical attenuation circuit, the Manley ELOP+ is a dual-channel compressor and limiter. Its capable of achieving pleasing dynamic-taming results in the studio, especially when tracking vocals or instruments. The ELOP+ follows in the footsteps of heralded studio levelers such as the UREI LA-2A, providing relatively few controls in comparison to many other compressors: there are no attack, release, or knee controls. Instead, you are presented with a reduction-control knob, make-up gain, and a button to switch between a 3:1 and 10:1 ratiothough these are approximations, as they are highly sensitive to the material fed into the compressor. These streamlined controls allow you to attain sonically desirable compression in a straightforward manner: Simply select a preferred ratio, set the threshold to achieve the amount of gain-reduction youd like to effect (along with your ears, you can use the meters provided for a visual aid), and adjust the make-up gain to taste. Both channels sport their own gain, ratio, bypass, and reduction controls, with each channel providing a high-pass sidechain button; this prevents frequencies below 80 Hz from effecting the signal. Both channels sport their own VU meters, which can be switched to indicate gain reduction or overall output level. If youre routing a stereo source through the ELOP+, you might want to make use of the stereo/link button, which will prevent your stereo image from wandering when one channel becomes louder than the other. The unit, occupying 2 RU of rack space, comes with its own internal power supply specifically calibrated to handle its complement of tubes. Suggested uses of this compressor include vocals, bass, guitar, brass, woodwinds, and synthesizers, upon which the ELOP+ can impart transparent and subtle dynamics-taming. The compressor is also suitable for room mics used to capture drum kits.

Controls Explained
Gain Control: This control is available on both the left and right channels, and adjusts the gain of each audio channel. Unity gain is at about the seventh marking, or 1 o'clock. Limiting usually requires some additional make-up gain to compare with signal in a disengaged (bypassed) state. The Gain control can also be used as the level to tape.
Reduction Control: This control is available on both the left and the right channels, and adjusts the amount of limiting or compression in a channel. This could also be thought of as a threshold control. Turning this control clockwise increases the amount of limiting or compression.
High-pass Sidechain Control: This is factory-set at 80 Hz. When this switch is engaged and illuminated, everything above 80 Hz will have the effect of limiting or compression, while every frequency at 80 Hz or below will not affect the compressor. This is useful if you want the bass to come through with full impact while applying the limiter/compressor to everything else. This filter frequency may be set to a slightly higher frequency of 150Hz by changing the internal HPSC filter select jumper. For more information on how to do this, please consult your manual.
In / Bypass Control: This switch dictates whether your audio flows through the Limiter/Compressor or just straight through the unit. If the switch is engaged and illuminated to the "IN" position, the audio will pass through, and gain reduction will occur. When this switch is set to "BYPASS" the audio still flows through the tubes in the unit, but at unity gain, and without any gain reduction. Use this switch to verify that the limiting or compressing is not messing up the original sound, but enhancing it, or at least leveling the volume. Alternatively, you might like the tonal characteristics this unit, left in bypass, imparts on your mix.
Compress / Limit Control: This switch allows the ELOP+ to use two different compression ratios. Th