Zoom F6 6-Input / 14-Track Multitrack, Audio Technica ATH-M30X, (2) XLR Cables Bundle

Forget about digital clipping and focus on the shot with the Zoom F6, an ultra-compact, multitrack field recorder with 32-bit float technology for distortion-free dynamic range, and up to 14 tracks of simultaneous recording for professional and enthusiast applications on set and in the field. Slide it in a sound bag, sling it over your shoulder, or mount it to a camera; the F6 packs quantity and quality into a rugged frame thats more than ready for filmmaking, production/location sound mixing, sound effects recording, and electronic news gathering (ENG).

From the large, informative color display and user-friendly controls to the flexible powering options and precision timecode functionality, the F6 is properly equipped to please novices and demanding veterans alike. Whether you need long-duration stereo recording for an interview, redundant capture of multi-mic setups for a video shoot, or Ambisonics sound files for virtual reality and 360-audio projects, the F6 has the modes, resolutions, and media support to handle your crucial audio tasks. Plus, its operational versatility ensures that the F6 will always enhance your workflow, be it simple, complex, or always changing.

You can feel confident using it as your main recorder, a USB audio interface for your dedicated computer rig, or a backup unit for added safety.

32-Bit Float Recording Avoids Digital Clipping
The F6 is designed to handle the reality of real-world dynamics. Since source levels can change unexpectedly, you need a system that can capture everything from pin-drop quiet to roaring loud without compromise or clipping. With 32-bit float resolution and dual-path A/D converters, the F6 delivers immense dynamic range to cover the audible spectrum with ease. Digital clipping is a thing of the past.

Configurable Recording Settings for Any Situation
The F6 boasts a slew of recording modes and resolutions to choose fromrecord all six inputs at a maximum resolution of 192 kHz in 24-bit linear or 32-bit float, or (thanks to Zooms dual-path A/D converters) record them simultaneously in at up to 96 kHz in 24-bit and 32-bit float while printing a stereo mix.