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    Universal Audio 6176 Vintage Tube Channel, (2) ErnieBall XLR 25FT, JamStands JS-SRR100 Bundle

    • Analog Channel Strip
    • 610 Tube Microphone Preamp
    • 1176LN Compressor
    • Handcrafted in California
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    The Universal Audio 6176 combines two pro audio legends the 610 mic/line tube preamp and the 1176LN solid-state compressor/limiter to create what may be the ultimate channel strip. The preamp section is packed with features, such as mic, line, and hi-Z inputs; two bands of shelving EQ; and a 15dB pad. The dynamics section maintains all the classic features found on the classic 1176LN. Each unit has dedicated ins and outs and can be used independently in Split mode or in series in Join mode via a front-panel switch. Handcrafted in Universal Audios Scotts Valley, California labs, the 6176 offers weapons-grade build quality and colorful sonic character at an accessible price.

    Advances in digital recording technology are providing users with tremendous power and flexibility for increasingly less money. All too often, however, the audio quality of these systems is limited by their input stages. Many users who demand the power and flexibility of todays recording technology find themselves yearning for the warmth and tone of yesteryears handbuilt analog circuitry. Now with the release of the 6176, Universal Audio combines their highly acclaimed 610 tube microphone preamp with their legendary 1176LN compressor to create the ultimate single-channel signal path for everything from vocals to vibraphones.

    If you want to make great-sounding music, you need a great front end: the Universal Audio 6176.

    The tube preamp/DI/EQ section of the 6176 is based on the legendary console modules developed by Bill Putnam in the late 1950s and early 60s. From Sinatra and the Beach Boys to Van Halen and Coldplay, countless classics have been recorded using these preamps, noted for their musical character and warmth. This preamp delivers a versatile sonic palette ranging from warm, vibrant cleans to tasty vintage coloration. The 2-610 has all the essentials: a classic tube mic/line pre with switchable 48V phantom power, direct instrument input, 15dB pad, polarity reverse, and flexible dual impedance selection for both Mic and DI inputs. For maximum flexibility, you also get great-sounding low-and high-frequency shelving EQ, each with three selectable hinge frequencies. The 6176s preamp section packs tremendous sonic versatility and is an ideal front end for tracking with modern DAWs and the serious project studio seeking authentic UA sound.

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