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NiSi 65 PRIME 16mm T2.9 Cinema Lens, PL Mount
- SUPERIOR IMAGE QUALITY - Experience exceptional clarity and detail with the NiSi 65 PRIME 16mm T2.9 Large Format Cinema Lens, designed for professional cinematic productions.
- ROBUST DURABILITY - Crafted with precision, this lens features a sturdy construction ensuring reliable performance and longevity in demanding shooting environments.
- OPTIMAL LOW LIGHT PERFORMANCE - Achieve stunning visuals even in challenging lighting conditions, thanks to the wide T2.9 aperture for excellent light gathering.
- VERSATILE APERTURE RANGE - The T2.9 to T22 aperture range provides extensive control over depth of field, allowing for creative and precise focus adjustments.
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Overview
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The NiSi 65 PRIME 16mm T 2.9 is a large-format cinema prime lens designed for directors of photography and cinematographers who demand maximum coverage, optical precision, and creative latitude. Built for modern large-format digital cinema cameras including the ARRI ALEXA 65/265 and FUJIFILM GFX ETERNA 55, this lens delivers a sweeping ultra-wide perspective with sharpness and aberration control that holds across the entire large image circle. Large Format Coverage for the Most Demanding SensorsAs the first lens in the NiSi 65 PRIME series, the 16mm T 2.9 features an imaging circle close to 65mm in diameter, engineered to cover the ARRI ALEXA 65/265 in Open Gate mode.
In this configuration it delivers a diagonal field of view exceeding 122 Degree, a horizontal field of view of 117.2 Degree, and a vertical field of view of 74.3 Degree. On the FUJIFILM GFX ETERNA 55 in Open Gate it provides a 118 Degree diagonal field of view. This extraordinary coverage enables dramatic ultra-wide compositions simply not achievable with smaller-format optics.
Optical Performance: Resolution, Aberration, and DistortionThe 16mm T 2.9 is built around a precision optical formula incorporating advanced aspherical elements that maintain outstanding resolution from center to edge. Even wide open at T 2.9, both axial and lateral chromatic aberrations are kept to a minimum, a level of control rivalling APO-certified optics. The lens is also engineered to suppress barrel and pincushion distortion, making it an ideal choice for architectural cinematography and structured environments where geometric accuracy is essential. Close Focus and Creative DepthWith a minimum focus distance of just 0.25 m (10 inches), the 65 PRIME 16mm T 2.9 enables bold near-subject compositions that would be impractical with comparable wide lenses. Combined with the bright T 2.9 aperture, the lens provides meaningful subject separation even at close distances, expanding its usefulness across narrative features, documentary, music video, and commercial productions. Cinema-Ready Build and HandlingThe 65 PRIME 16mm T 2.9 features the PL (ARRI) mount with industry-standard 0.8 MOD / 32 Pitch focus gearing and a smooth 300 Degree focus rotation angle, ensuring compatibility with standard follow-focus systems and lens motors. Ten aperture blades deliver smooth out-of-focus rendering across its T 2.9 to T22 range.
Luminescent markings on both focus and aperture rings remain readable in low-light environments, improving efficiency during night shoots and handheld work. Compact and Lightweight for Large FormatDespite covering a sensor circle close to 65mm in diameter, the 65 PRIME 16mm T 2.9 achieves a compact and manageable form factor. At 846g (excluding caps) and measuring 95mm in diameter by 78.53 mm in length, it is significantly lighter than many large-format cinema lenses, making it well-suited to handheld operation, gimbal mounting, or drone rigs where weight and balance are critical considerations. Part of the NiSi 65 PRIME SeriesThe 16mm T 2.9 is the first lens in the NiSi 65 PRIME series, a growing family of large-format prime lenses built around a shared optical philosophy of coverage, consistency, and creative quality. Lenses in the series share matching physical dimensions, focus gearing positions, and color rendition, allowing for efficient lens changes on set without compromising a matched look. Professional Creative ConfidenceThe NiSi 65 PRIME 16mm T 2.9 is engineered for cinematographers working at the highest level of large-format digital cinema production. Whether used on a fully rigged studio camera or a compact large-format body, it delivers the optical quality, handling precision, and creative latitude demanded by today's most ambitious productions, from sweeping architectural vistas to intimate wide-angle close-ups.
In this configuration it delivers a diagonal field of view exceeding 122 Degree, a horizontal field of view of 117.2 Degree, and a vertical field of view of 74.3 Degree. On the FUJIFILM GFX ETERNA 55 in Open Gate it provides a 118 Degree diagonal field of view. This extraordinary coverage enables dramatic ultra-wide compositions simply not achievable with smaller-format optics.
Optical Performance: Resolution, Aberration, and DistortionThe 16mm T 2.9 is built around a precision optical formula incorporating advanced aspherical elements that maintain outstanding resolution from center to edge. Even wide open at T 2.9, both axial and lateral chromatic aberrations are kept to a minimum, a level of control rivalling APO-certified optics. The lens is also engineered to suppress barrel and pincushion distortion, making it an ideal choice for architectural cinematography and structured environments where geometric accuracy is essential. Close Focus and Creative DepthWith a minimum focus distance of just 0.25 m (10 inches), the 65 PRIME 16mm T 2.9 enables bold near-subject compositions that would be impractical with comparable wide lenses. Combined with the bright T 2.9 aperture, the lens provides meaningful subject separation even at close distances, expanding its usefulness across narrative features, documentary, music video, and commercial productions. Cinema-Ready Build and HandlingThe 65 PRIME 16mm T 2.9 features the PL (ARRI) mount with industry-standard 0.8 MOD / 32 Pitch focus gearing and a smooth 300 Degree focus rotation angle, ensuring compatibility with standard follow-focus systems and lens motors. Ten aperture blades deliver smooth out-of-focus rendering across its T 2.9 to T22 range.
Luminescent markings on both focus and aperture rings remain readable in low-light environments, improving efficiency during night shoots and handheld work. Compact and Lightweight for Large FormatDespite covering a sensor circle close to 65mm in diameter, the 65 PRIME 16mm T 2.9 achieves a compact and manageable form factor. At 846g (excluding caps) and measuring 95mm in diameter by 78.53 mm in length, it is significantly lighter than many large-format cinema lenses, making it well-suited to handheld operation, gimbal mounting, or drone rigs where weight and balance are critical considerations. Part of the NiSi 65 PRIME SeriesThe 16mm T 2.9 is the first lens in the NiSi 65 PRIME series, a growing family of large-format prime lenses built around a shared optical philosophy of coverage, consistency, and creative quality. Lenses in the series share matching physical dimensions, focus gearing positions, and color rendition, allowing for efficient lens changes on set without compromising a matched look. Professional Creative ConfidenceThe NiSi 65 PRIME 16mm T 2.9 is engineered for cinematographers working at the highest level of large-format digital cinema production. Whether used on a fully rigged studio camera or a compact large-format body, it delivers the optical quality, handling precision, and creative latitude demanded by today's most ambitious productions, from sweeping architectural vistas to intimate wide-angle close-ups.
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- Return for refund within: 30 days
- Return for replacement within: non-replaceable
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