ARRI L5-C 5" LED Fresnel Light without Cable, Stand Mount, Blue/Silver

L5-C - Cut. Shape. Focus. Tune. Color temperature, tint and hue can be continuously adjusted from 2, 800 K to 10, 000K, between full plus or minus green and RGBW colors. The L5 addition to the L-Series perfectly complements the L7, allowing for more mobile lighting and a wider range of power classes for television studios. Its compact size and low weight allow the L5 to be rigged in tight places and hung from low ceilings. The L5 is also ideal for cramped location shoots and interview setups.

Low heat allows safer and more comfortable shooting conditions. This versatility and superb light quality make the L5 a highly anticipated addition to the award-winning L-Series family. New features available on the L5 include a powerCON power connector and an on-board battery input that permits industry-standard batteries to power the L5 without any sacrifice in terms of features or light output. The resulting increase in portability opens up whole new application areas, giving productions with the L5 the tremendous freedom to move and work fast. The L5 is approximately 45 % brighter than a 300 W tungsten Fresnel, but only consumes 115 watts.

When compared to the L7, the L5 is half the weight and size. Stand-MountVersions include the following base configuration: 16 mm / 28 mm Combo Pin (Baby 5/8" / Junior 1-1/8" Combo Pin), Inline Switch, Integrated 5-Pin DMX In and Thru. Innovative Features and rugged durabilityWhereas other LED fixtures have taken forms that demand sacrifices in the quality of lighting designs, the L-Series is unique in that it fits perfectly into established working practices. This means that lighting designers will not have to adapt their creative techniques, nor will studios have to change their operating procedures; conventional Fresnels can be exchanged for L7 Fresnels on a like-for-like basis, achieving substantial and immediate cost savings with minimal disruption. Cool Burning and Cost SavingL-Series Fresnels burn cold; the lack of forward heat significantly reduces studio air conditioning costs and allows for a much cooler work environment. This makes life easier on set, both for the technicians behind the lights and the talent in front of them. Focus KnobsTrue Blue-style focus knobs provide the precise adjustment and rapid flood-to-spot that users enjoy from manual, mechanical control. Knobs on both sides of the fixture ensure easy access from all positions, eliminating the need for awkward reach-arounds.

Focusing is neither tedious nor time-consuming; full flood-to-spot can be achieved in only three turns. Sliding Stirrup The ARRI sliding stirrup design enables precise adjustment of the fixture's center of gravity, to compensate for front-end accessories. It also creates the option of pulling the fixture back and reducing its hanging height. YokeWith an extremely slim profile, the extruded aluminum yoke provides high strength without added weight. An optional pole-operated yoke allows full operation of pan, tilt and focus from the floor and is therefore a popular choice for many studios. Tilt LockThe high strength tilt lock provides extremely secure locking, eliminating movement and slippage and ensuring that the fixtures will stay where you put them. Pole OperationOptional pole operation is a popular choice for many broadcast studios, enabling fast and efficient adjustment of pan, tilt and focus without the need for ladders or lifts. DMX ControlFor broadcast studios, remote fixture control is of paramount importance, and all functions of the L7 are controllable through DMX. The L7 is also fully RDM compatible, providing bi-directional feedback and reporting of parameters including system status; hours on the light engine; and current DMX settings (with the ability to remotely assign and address all fixtures in a DMX network).

On-Board ControlFor location applications, the ability to rapidly access all lamphead parameters directly at the light is important